TORQUAY PAVILION

Update on the Restoration of Torquay PavilionTorbay Council has provided a comprehensive update on progress at Torquay Pavilion, following the authority’s regaining of full control of the historic building in late 2024.Since spring 2025, specialist teams have undertaken detailed investigative works to fully assess the Pavilion’s restoration requirements. These investigations are now complete and have enabled the Council to better understand the scope of works needed to safeguard and restore the building.Key protective measures have already been implemented. Decorative plaster ceilings, stained glass windows, and the two historic Hermes statues have been carefully removed and placed into secure storage. The Pavilion itself has been made dry and watertight to prevent further deterioration.While temporary site cabins will now be removed, security systems and protective hoarding will remain in place as preparations begin for the next phase of the project.The Council is currently advancing plans for the building’s full restoration. This includes the development of a comprehensive restoration design, submission of a planning application, formulation of a procurement strategy, and preparation of tender documentation to appoint a contractor. A funding strategy is also being developed to secure the necessary resources to deliver the project.Subject to planning approvals, funding confirmation, and finalised end-use plans, Torbay Council aims to appoint a contractor and commence on-site works by the end of 2026. Restoration works are anticipated to take approximately two to three years to complete.UPDATE APRIL 2026:
The council is taking early, non-restoration steps to re-engage the community with Torquay Pavilion while longer-term plans are still being developed.
• A Listed Building Consent application has been submitted—not for restoration—but to support a community outreach initiative.
• Plans include:
◦ Installing two site cabins open to the public over summer, showcasing the Pavilion’s history.
◦ Creating a new viewing area so visitors can look inside the building for the first time in over a decade.
◦ Inviting the public to contribute memories, stories, and artwork.
The council stresses that:
• No restoration work will begin yet.
• They are waiting on an Options Appraisal to the building’s future use, expected in summer.
Meanwhile:
• The council is seeking funding partnerships for a full restoration, which must be done in one phase.
• Public consultation suggests strong support for an Agatha Christie–related use, which may be explored with her family.
• Funding will rely heavily on external sources, including government and private sector investment, as council resources are limited.
Progress is currently focused on visibility, engagement, and planning, rather than physical restoration—keeping momentum going while funding and a final vision are secured.
Funding the Pavilion, it seems, will rely on that most dependable of strategies: someone else’s money. The council will be knocking on the government’s door—quietly acknowledging, of course, that the government may not be answering with a full wallet—and casting a hopeful glance toward the private sector to do the heavy lifting.
With neither council nor country exactly flush, the emerging vision leans toward a familiar compromise: pairing heritage charm with modern commercial viability. In other words, a careful blend of old and new—tastefully done, one hopes, and not drifting into the sort of “complementary” developments that have been floated in the past.
Because when it comes to four-star hotels and apartment blocks rubbing shoulders with historic landmarks… well, perhaps that’s a conversation best left in the archive!

About the Torquay Pavilion

A landmark building in the heart of Torquay

Torquay’s best-loved historic building — now closed for redevelopment.

The graceful proportions of Torquay Pavilion evoke the aesthetic ideals of a gentler era and celebrate the spirit of Edwardian seaside architecture. For a century this landmark building has been at the hub the town’s cultural life and today it stands as a fine example of Victorian design recalling Torquay’s splendour of yesteryear... but now sadly closed.
History:
The Torquay Pavilion was opened in 1912 as a ‘Palace of Pleasure’ to attract more visitors to the resort and to create a venue in which to hear music, see plays and meet friends. It is one of the few remaining examples of Victorian seaside architecture, a style dedicated to the late 19th and early 20th-century holidaymakers’ appetite for novelty and entertainment.
Designed by Major Henry Augustus Garrett and built not on the pier, as many seaside pavilions were, but adjoining it, The Pavilion combines a mix of Classical and Art Nouveau styles to create a splendid triumph of decorative frivolity.It was in the early 1890s that a local authority committee submitted a report suggesting the building of a pier complete with bandstand, shelters, landing places and a pavilion.
However, at the ratepayers’ meeting it was voted to build a pier without the pavilion.Torquay was still, at that time, without a public building suitable for full-scale concerts or large assemblies and, in 1896, a competition was organised for designs for a pavilion. Edward Richards won the prize — 50 guineas — after the entries had been judged by the vice-president of the Institute of British Architects in 1897.Controversy was to dog the scheme, but as hoteliers and traders continued to urge the need for a venue for both summer and winter entertainment, Richards, with H C Goss, drew up further plans which were approved at a public meeting in 1903. But Richards was not to see his plans come to fruition, for he died later that year.
Discussion continued, with the issue clouded by the matter of a proposed new town hall, also badly needed to replace the small outdated public offices of 1851 at the foot of Abbey Road.
Ex-Mayor Col. Charles Spragge CB, proposed in 1909 that a town hall should be built simultaneously with a pavilion and this proposal was accepted by the council. Subsequently, the proposed plans were used as a basis for the design of a place of entertainment to hold 2000 people. Work began in 1911, some 20 years after the idea of a pavilion had first been discussed and ten years after they had been agreed.
The Pavilion was built on a site formed partly from land reclaimed from the sea, on a concrete ‘raft’ weighing 1000 tons and on which a framework of steel stanchions and girders was erected. The facing tiles, in Doulton’s carrara enamelled stoneware, were a very popular building material at the time and were probably used in order to make The Pavilion appear like a white palace. The impressive central copper-covered dome is topped with a full-size figure of Britannia, a symbol of patriotism and imperialism, presented by the then Mayor, Cllr. C T Towell, JP.
The two smaller domes at each side of the entrance are surmounted by copper figures of Mercury, messenger and god of eloquence. There is very fine cast ironwork in the ‘art nouveau’ style edging the steps to the promenade deck and the octagonal bandstands (or summerhouses) are also edged with fine cast ironwork in the Victorian decorative tradition.
The other decorations on the exterior — swags of flowers, urns topped with pineapples, scrolls, ferns and cherubs’ heads — reflect the Victorian feeling for ornamentation on every available surface.
When it was formerly opened in August 1912, contemporary newspaper reports in both the local and national press were enthusiastic. The Pavilion was headlined as ‘Torquay’s Palace of Pleasure’. Inside there was a foyer and an auditorium, with lounges and a café; an elegant atmosphere prevailed, with oak panelling, moulded plasterwork, a curved balcony, stained glass and potted palms, together with an open-air promenade and tea garden.
The town then took the important step of founding a municipal orchestra of 25 players, with Basil Cameron as musical director. This was disbanded during the war, but after the war the same musical policy continued. Classical music began to play an increasing part in the life of the town, with morning and afternoon concerts in a ‘Winter Orchestral Season’. Residents of the town still speak enthusiastically of the series of Torquay Music Festivals which brought famous conductors, composers and artistes to The Pavilion, including Sir Henry Wood, Sir Adrian Boult, Sir Edward Elgar, Sir Malcolm Sargeant, Constant Lambert, Dame Nellie Melba, Solomon, Mark Hambourg, Dame Ethel Smythe and many others. The orchestra made its first BBC radio broadcast from The Pavilion at Christmas 1932, and continued to broadcast regularly from then on.
The inter-war period was the heyday of The Pavilion. After the 1940s it was used for plays, concerts, bingo and roller skating. Scheduled for demolition by Torbay Council in the early 1970s, it was only saved by the energetic and enthusiastic efforts of the Friends of The Pavilion, led by Mrs Sheila Hardaway together with Mr Ian Handford. In 1973 it became a Class II listed building of special architectural and historic interest. It is due to be upgraded to Class II*.
Its position has made The Pavilion a focal point and centre of attraction in the town for residents and visitors alike. Re-opened in 1987 as a shopping centre after extensive award-winning restoration work that respected its elegant past, The Pavilion still stands architecturally as it was first conceived.
Pavilion Trivia
• One hundred years ago the site of The Pavilion was under water and the shoreline was at the front of the Torbay Hotel. The land that now extends to the marina was reclaimed from the sea and The Pavilion built using a special concrete designed to create a foundation 'raft' weighing 1000 tons.
• Originally called the "Cucumber House" at the time of its conception in 1899, The Pavilion became known as 'The White Palace' due to the white tiles that cover the exterior. As a Grade II Listed Building, the tiles are also protected and to replace them today with the same Royal Doulton 'Patent Carrara Ware', a type of terracotta tile, would cost £110 each!
• The original cost of building The Pavilion was £16,942 4s 4d and ticket prices were two shillings (10p) for seats in the Grand Hall or Circle in 1912.
• The Pavilion was, from 1979 to 1983, operated as an ice rink — although no water or freezing techniques were used. The skating surface was 'Glice', a Belgian invention and made in France from high density ethylene polymer that gave similar qualities to conventional ice but was soft, dry and of ambient temperature.
• Amazingly, Torquay Council wanted to demolish The Pavilion but local opposition saved the day.
—JA/EH. (This version © Jonathan Abery 2003-2026). General email enquiries: [email protected]
Want to know more about the Torquay Pavilion?
wikipedia.org/wiki/PavilionTheatre,Torquay

© J Abery